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Melody:
A Melody is a series of pitches sounding in succession. In
Western music, the notes of a melody are typically created
with respect to scales or modes. The rhythm of a melody is
often based on the inflections of language or the physical
rhythms of dance. It is typically divided into phrases within
a larger overarching structure.
Pitch:
Musical sounds are composed of pitch, duration, and timbre.
Pitch is determined by the sound's frequency of vibration,
such as the note A which at modern concert pitch is defined
to be 440 Hz. Tuning is the process of assigning pitches to
notes. The difference in pitch between two notes is called
an interval. The most basic interval is the octave; a note
and another note with twice its frequency form an octave,
and if the pitch with frequency 440 Hz is A, then the pitches
with frequency 880 Hz, 1760 Hz as well as 220 Hz, 110 Hz,
and 55 Hz are also A's. Notes can be arranged into different
scales and modes. Diatonic notes of a scale may be considered
avoid tones. In western music theory, the octave is divided
into 12 notes, each called a half-step or semitone. Patterns
of half and whole steps (2 half steps, or a tone) make up
a scale in that octave. The scales most commonly encountered
are the major, the harmonic minor, the melodic minor, and
the natural minor.
Rhythm:
Rhythm is the arrangement of sounds in time. Meter animates
time in regular pulse groupings, called measures or bars.
The time signature or meter signature specifies how many beats
are in a measure, and which value of written note is counted
and felt as a single beat. Through increased stress and attack
(and subtle variations in duration), particular tones may
be accented. There are conventions in most musical traditions
for a regular and hierarchical accentuation of beats to reinforce
the meter. Syncopated rhythms are rhythms that accent unexpected
parts of the beat. Playing simultaneous rhythms in more than
one time signature is called polymeter. See also polyrhythm.
Harmony:
occurs when two or more pitches are sounded simultaneously,
although harmony can be implied when pitches are sounded successively
rather than simultaneously (as in arpeggiation). Two simultaneous
pitches form a diad. Three or more different kinds of pitches
sounded simultaneously are called chords, though the term
is often used to indicate a particular organization of pitches,
such as the triad, rather than just any three or more pitches.
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